Showing posts with label Singapore. Show all posts
Showing posts with label Singapore. Show all posts

Tuesday, March 03, 2020

The Light of the South




The first thing I saw when I arrived at the MacRitchie carpark was a group of Falun Gong-sters trying to levitate a tree.  A half-dozen or so were walking clockwise around it in the heel-toe steps of the Bagua practitioner, right arms extended toward the trunk. 

At least this time energy was being projected upward.  On the day of our previous attempt at finding Shonan Jinja, it had poured rain, a dense tropical rain that in the old films spells disaster.  Prudence made us call the whole thing off.  But in the intervening few years, the old lost shrine had haunted us somehow, as if the spirits of the place wouldn't leave us alone. Chris sought out GPS coordinates, I followed bloggers who had either had or had not found the place.   Finally, we both happened to be in Singapore at the same time, and with the weather clear, we laced up our boots. 

I knew Chris from the Japan mountaineering community, and this excursion into dense jungle was a far cry from the rocky spires of Japan's middle reaches.  I joked to Chris that he could lead since I was anxious about cobras, he told me that was fine as he was more concerned with crocodiles.  Damn, I'd forgotten about those. 

MacRitchie Reservoir is one of Singapore's nicest green areas, out of the many that dot this garden-cum-city.  A well-groomed walking path led us around the reservoir's northern reaches, beneath a pleasant canopy that the signs told us was the lair of a vast number of birds as well as mischievous monkeys.  Just a few days after Chinese New Year, the trail was busy with walkers, mostly older couples doing their ablutions before the heat of the day found them.  In our boots and long trousers, we must have looked suspect among the T-shirt and running shorts crowd.

Luckily no one was around when we left the path and stepped into jungle.  It was a lot less dense than I'd expected, with the hint of a trail left behind by previous explorers.  That said, there were a fair number of fallen trees around which we had to navigate, not to mention vines thick with thorns that would have shredded clothing, not to mention skin.  One of the latter was an expressway for commuting ants, and the sight of thousands and thousands of them racing along brought out my inner Rider Haggard. 

As we'd read that some bloggers had needed a handful of visits to find the place, Chris and I had anticipated that we'd be in for some tricky navigation.  But surprisingly the route puzzled us only a few times, and happily both of us were too polite to step up and play alpha male.  We'd instead patiently confer over where our respective GPS routes contradicted one another. 

Finally, we found a power station, its floor having collapsed to form a little lagoon.  The concrete walls appeared to be covered in spiral graffiti, but closer examination had it proved to be mold and water damage.  Odd pieces of concrete spread along the trail led us to the old shrine's chōzubachi water basin. We had arrived. 

It was the Tiger of Malaya, Lieutenant-General Tomoyuki Yamashita, who first conceived of Shonan Jinja, to be built in order to commemorate the Japanese soldiers who died in Malaya during the remarkable 70 day dash to take Singapore, hyperbolically called the "Gibraltar of the East" by the British defenders. The design of the shrine was based on Tokyo’s Yasukuni Shrine, but expectations were even greater, as in time it would be second only to Tokyo's Meiji Jingu, the centerpiece for a new city that would arise over the subsequent 30 or 50 years.   

Nearly ten thousand British and Australian POWs from the nearby internment camps of Changi, Sime Road and Adam Park were forced into labor, clearing a large portion of heavy jungle to build not only the shrine complex, but also a lengthy bridge akin to that found at Ise, and a flight of 94-step granite steps that led upward toward the gods.  There was also apparently a Christian Cross adjacent to the shrine, erected for the souls of the Allies killed in the fall of Singapore. History differs on whether the impetus for its construction came from a Japanese Colonel, or from the POWs themselves who balked at the building of the Japanese shrine unless they were allowed to construct their own memorial as well.  In any event, Shonan Jinja had a grand opening nine months later, on 15 February 1943, a year after the fall of Singapore.

The water basin was the only intact part of the shrine.  A trio of stone "doughnuts" were at each corner, indicating that a small structure had been built to provide shade for those who purified themselves before the climb to the honden further up the adjacent stone stairs.  These we found covered in vines and debris, though the surrounding network of roots had yet to displace the massive set of stone work that supported this upper level.  We moved along the jungle here, but found no trace of the network of buildings that had stood here.  Remarkable, since they had once covered an area of 1.9 square kilometers.      

There is some debate about who destroyed the shrine upon the Japanese surrender, either the British in a frenzy of revenge for the brutalities out at the POW camps, or the Japanese themselves as a means of preventing the allies from doing just that sort of desecration.  What is certain was that the locals would have made off with the scattered materials as they attempted to rebuild their kampong communities after the war.   Much later, even after those same kampong were replaced by modern Singapore's trademark HBD flats, the ruins of Shonan Jinja were declared a historic site by the National Heritage Board, though nothing has been done with them in the eighteen years since.   

Today, all that was left was the tangle of trees, a far cry from the typical cypress and camphor that tower over shrines on the Japanese mainland.  We made our way past the chōzubachi again to descend the steps down to the water.  A long sandō causeway had once led to the low wooden bridge.  We followed a concrete drainage awhile, but never did find any remnants of the old sandō (which later Googling revealed to have been to our left).  We bashed through jungle to get to the edge of the reservoir, looking for the remnants of the old bridge, namely the support posts that poked their heads above water in the photographs I'd seen online.  The posts proved elusive, as the most recent photos were a decade old, and it was high tide anyway.  Admittedly, we didn't look too long, as my mind was ever on crocs, Chris graciously letting me advance to draw them out.  

We retraced our steps out, the difference in light now tricking us into a few wrong turns.  When we were within ten meters or so of the park's proper walking trails, we could hear the voices of other walkers, one group going suddenly quiet as they heard us bashing about.  Chris joked that we'd now get really lost, and he proved prescient.  I was leery of the lateral path we took, over ground better suited to snakes.  Then we were through.

I for one was a sopping mess, the high humidity on the return not only soaking my clothes, but causing the sole of one of my relatively new shoes to peel away like a proverbial banana.  And sure enough, the monkeys then began to appear.   Thankfully my shoe had waited until we were out of the actual jungle to do so. I tied the flapping sole to the upper, which caused me a rolling gait that drew stares, coupled as it was with the rest of our admittedly disheveled state. And we pressed on, into the rising heat brought about by the omnipresent glare of the light of the south.  

(Chris's own take on the day provides an even greater look into the history of the shrine, accompanied by a series of historical photographs. )


On the turntable: Hoagy Carmichael, "The Jazz Craftsman "

Tuesday, December 29, 2015

The Empire's New Clothes





(SOME STAR WARS SPOILERS MAY FOLLOW)

Watching the first Star Wars back in 1977, was revelatory.  Like many of my generation, it was a high water mark in our childhood.   The film launched in us hundreds of games, where we ran around the woods or housing construction sites, having shootouts with invisible stormtroopers.   I was probably a little too old to play with the subsequent toys and action figures, but I did anyway. Later I would be disheartened to find that these product tie-ins marked the first shift in American film going from an art form to a product, and by the beginning of the next decade, the quality began to free fall, from which in my opinion it has never recovered (exemplified most aptly by the poor standard of Star Wars episodes I-III).  Hollywood cinema is critically ill and George Lucas is responsible for the initial infection.

I was greatly optimistic about the latest installment, particularly because Lucas had so little to do with it.  Nostalgia washed over me as the opening scroll began to roll away from me, in IMAX 3D.  Despite a somewhat slow start, I found myself quickly enthused with the story.  I really enjoyed the in-jokes and the familiar tropes...until the tropes began to look a little too familiar.  By the end of the film, I felt that I was back in 1977 watching A New Hope again, but with the names changed and the roles and genres all mixed around.  Driving home afterward, I wasn't sure if I'd seen a sequel or a remake.  

That said, I truly enjoyed the film.  I don't usually go for big budget popcorn movies anymore, but this one won me over.  I quite look forward to seeing the follow up films, and more than that, to introducing my daughter to the franchise, once she is a bit older.  

Truth be told, I didn't open my laptop this morning in order to write a review.  Instead, I wanted to write what a wonderfully Singaporean experience I had.  I watched the film in a theater belonging to Shaw Brothers, who had an influence equal to Star Wars in my upbringing, in their chop-socky films that I watched every Saturday on the Just for Kicks program on New York's WWOR.   While living in Hong Kong in 1997, I went to Shaw Studios on a pilgrimage of sorts, hoping to see the full scale Qing dynasty town they'd built on their back lot.   Overdressed in a suit and taking the guise of a foreign exec, I failed to convince the security guard to let me pass, though I did have better luck talking myself into Jackie Chan's offices a short walk away at Golden Harvest.   

But I wasn't thinking about that here in Singapore.  Instead I was delighting in the fact that the movie hot dogs are chicken rather than pork (beaks and feet rather than snouts and tails?), in respect of the country's large Muslim population, including the girl at the concessions stand who handed it across the counter to me, along with hot sauce rather than ketchup.  Compared to the New Jersey suburbs of 1977, it truly is a galaxy far far away...


On the turntable:  "Fusion from India"
On the nighttable:  J. G. Farrell, "The Singapore Grip"



Tuesday, February 20, 2007

While making feet for children shoes...


Singapore. Caught my first glimpse from the plane, of a large flotilla of ships all facing the same direction. It looks as if they`re fleeing. Inside Changi, I catch the familiar Asian scent of long airport carpets going moldy in damp climes. I put on my iPod, Tom Waits. I look for this city`s eponomous song, but not finding it, settle on "Shore Leave." After this single track, I turn it off, wanting instead to hear all the languages around me. (This includes the Japanese spoken at a cluster of tables near "Genki Sushi.") I change money without knowing the going rate. And I walk the smelly carpet, rubbernecking, amazed at the size of this place. The smell of mold is overwhelmed by perfume near the Duty Free shops. I walk past three small men carrying large machine guns. (In a tight spot I`m sure they`d rather go for the kukri tucked into the back of their belts.) I`m not in Japan anymore.  As I board my Trivandrum-bound plane, a woman eyes my wrist, and says something to her companion. I make out the word "mala."

On the turntable: Buffalo Springfield, "Retrospective"
On the nighttable: Lynn Schooler, "The Blue Bear"