Tuesday, October 27, 2020

Not Wholly Mackerel



The car headed north, at a pace so fast as if to go back in time.  Our driver deftly avoided the busier main road, and we moved along a country road lined on both sides with rice fields, long since harvested on this mid-October day.  Low clouds hung over the high peaks that gave definition to this broad valley, and late season dragonflies buzzed the forest of sheared stalks lined neatly in the now-dry paddies.

Obama isn't so much a place remote as a place far-off though well connected.  This small city on the Sea of Japan is indelibly tied to Kyoto by the famed Saba Kaidō, the feudal-period highway along which men would travel back to the old capital, carrying mackerel packed in brine for preservation.  A former staple of the Imperial Family, the fish eventually became a popular addition to the usual vegetarian fare of the land-locked city.  Like the Silk Road, the Saba Kaidō was never a single path, but the name refers to any of the five roads that extended southward through the mountains. The Wakasa Kaido was the most reliable, and enabled men and horses to reach Kyoto by the following morning, to ensure freshness. The brine also seasoned the fish along the journey, enhancing its flavor.

 

For the final few kilometers into Obama, the old road overlapped with another highway, the Tango Kaidō which ran along the sea.  It was here that we'd begin our visit, where that road ran through the center of Obama's old merchant quarter.  On the corner of a small street leading down from a Hachiman Shrine was an old Edo-period Suiyasu merchant house, specialists in papermaking.  A carpenter in charge of the restoration of the old house led us around its interconnected structures, one with an impressive two-story wooden facade lined with windows sunk into wooden frames.  The Edo-period kura storehouse had a unusual stepped doorway, once quite common to the Tango area. Traditionally, each region had its own unique architectural features, though the cultural streamlining that followed the feudal period sought a more universal style, as defined by legal codes. Today, most kura look the same.

 

Thankfully here, the old traditions still hold. A short walk away was Sanchome, Obama's former red-light district that has maintained a look centuries old.  A few accommodations to the modern age have been allowed, namely the small sprinklers laid into the tarmac which in winter will emit running water as a means of preventing the surface from icing over. Migawarizaru hung from the eaves along both
sides, these little cloth monkeys meant to deflect illness or bad luck. A small Buddhist hall housed a statue of the Buddhist Goddess of Compassion, unusual for its bright gold headdress.  (I would have loved to ponder the meaning at the quaint Imaarashi cafe nearby.)    


We arrived at Hōtōrō, a traditional restaurant once used exclusively by geisha.  A guide took us through this labyrinthian structure, past elaborately decorated screens, and allowed us time to peer through the intricately carved lattice windows to catch a view of the overlapped roof lines and their patchwork of grey tile.  

As Hōtōrō was closed for the day, we headed to the nearby  restaurant Miyabi, which served up a generous portion of saba, grilled beautifully.  An accompaniment of other local seafood delicacies filled out a sumptuous kaiseki lunch.  Above us hung photos of celebrities enjoying similar fare, and a large aquarium filled with the still-swimming dinner course wrapped itself around the open kitchen beyond. 


A visit to the local museum helped stave off the sleepiness that usually follows such large meals.  I was astounded to find that Obama was founded around the same time as Kyoto, though its roots go back 1300 years as a center for salt production.  From here the town grew into an important harbor for the trade ships that traced the shores of the Japanese archipelago, exchanging regional goods during the time that Japan was closed to foreign influences.  Yet its earliest role as an open port led it to become one of the doorways for the influx of ideas and technologies brought from mainland Asia.  These flowed down the Wakasa Kaidō to the old capitals and Nara and Kyoto, which grew in significance due to those very same imports.

 

Some of that culture stayed local.  Two Shinto shrines just out of town date to a time when Japan's spiritual traditions found a foothold as the Japanese were settling into a sedentary culture.  We reached these shrines by bicycle, riding past old farm houses and along quiet rural roads.  You can always tell a shrine's age by the size of its shade trees, and these of the paired Wakasahime and Wakasahiko Shrines certainly towered, one of them supposedly 1000 years old.  Smaller trees at Wakasahiko were brought here a saplings from Kyoto's Imperial Palace, now tall enough to shade a modest Noh stage in one corner of the grounds.  Dating from the early 8th Century, the shrines still look after the safety of the local fishermen.

 

Buddhism here could be found at a pair of temples further up the valley, both dating to a time not long after the introduction of the religion to Japan. (Similarly, two of the Zen temples that arrived in Obama later would take on important roles in exporting Zen to the West.)  Upon arriving at Jingu-ji, I realized I'd been here before, for the Omizu Okuri event that takes place every March, serving as a prelude of sorts to Nara's famous Omizu Tori event held 10 days later.  An old path culminated in a set of stone steps leading to the temple grounds, which included one thatch-covered teahouse of a rustic beauty that blended perfectly with leaves just beginning to take on their autumn hues.  The priest here led us to the main hall, where we sat and heard a lecture that reached the similar esoteric heights of the statuary that we looked upon.  Fitting for a temple 1300 years old, a time when Shinto and Buddhism were fused as one. 

   

One valley over, Myotsu-ji is 100 years older, but with a similar legacy.  The path up was far steeper, and by the time the visitor arrived one felt ready to settle into the silence beneath the trees that dwarfed even the 22 meter pagoda and its 800 year history.  The young priest here too gave us a lecture, but one that stayed pragmatically upon the temple itself.  

The afternoon exercise for body, mind, and spirit made more welcome the meal to cap the day.  While expecting another saba feast, I was surprised to find us pulling into La Verita, whose enthusiastic chef prepares Italian meals prepared from local produce and treasures from the sea.  The wine list was of course a wonderful addition, but his handmade cheese is the true delight of any meal here.  Many many courses later, we wandered back along the beach toward our traditional accommodation, to dreams awash with the tide of history and time.    


On the turntable:  Laibach, "An Introduction to Laibach"   

 

Sunday, October 25, 2020

Sunday Papers: Ethan Hawke

 

"Human creativity is nature manifest in us."

 

On the turntable:  Ennio Morricone, "Complete Sergio Leone Movies"

 

Wednesday, October 21, 2020

Mitsuhide's Wild Ride


 
Shōryūji Castle stands near the confluence of three rivers, which run through a narrow gap in low mountains between Kyoto and Osaka.  For two centuries this castle guarded this gap, but it could do nothing to withstand the encroach of suburbia.  Little surprise, as it fell in the Battle of Yamazaki in less than two hours.  Its defender, Akechi Mitsuhide could do little to hold
back the forces of Toyotomi Hideyoshi, who sought Mitsuhide's's head for the murder of Oda Nobunaga less than two weeks before.  In panic, the thirteen-day shogun ran.

As I stand atop the rebuilt ramparts I too think about attackers, though in 2020 this means coronavirus.  I'd wanted to follow Mitsuhide's path when I first read an article about it back in the winter, but then, like most people, I sought refuge rather than flight.  By October the situation in Japan seemed to be calming a little (or the lack of transparency deluded us into believing so), and it felt I could brave the short train ride to do the walk.  

I have a quick look at the exhibit inside the rebuilt castle keep, which in a PC-style sleight of hand veers away from Mitsuhide's historic betrayal and focuses more on his Hosokawa family relatives, whose tutelary temple now houses the world-famous rock garden of Ryozan-ji.  Yet the Hosogawa too aren't above criticism since it was their family feud that started the Onin Wars, abetting in the complete destruction of Kyoto and 150 years of civil war that followed.  Those wars were coming to an end in 1582 when Mitsuhide did his runner.  I'd forgotten though that his wife was a Hosokawa daughter, Gracia, Japan's most beloved Christian convert.  Many times I'd noticed her grave in Kōtō-in, but what I never realized was that her "assisted suicide" on the eve of the Battle of Sekigahara had turned the tide of sentiment in favor of Tokugawa Ieyasu and had perhaps contributed to his clan becoming the Shogunate.     

I am not thinking of any of this as I walk toward Shōryū-ji temple, along a tarmac colored differently than the others that cut through this otherwise nondescript suburb.  And located in suburb, the temple itself is equally non-distinct, but for a worn statue of indiscriminate age.  It is a short walk from here to the the 1600 year-old Igenoyama burial mound, its unknown occupant no doubt a powerful ruler during a time when Japan was just beginning to settle into a sedentary society. 

And suburbs are the ultimate sedentary legacy.  The mound too has been hemmed in, so I descend to follow the rivers northeast.  I am not sure the exact path Mitsuhide took, but I am sure he was spared the bland chain stores bisected by Sunday traffic, spared the towering concrete migratory path of the Shinkansen, spared the factories whose commonality was concrete, sheet metal, and bizarre smells.  We may have shared the view of weekend farmers busy with a late rice harvest.  One massive field has been sheared at the edges, with the middle left to resemble a bright green mohawk.  


Fushimi brings a bit of traditional respite.  I've both visited and guided here many times, and inevitably seem to come across something new.  My path today is deliberate, in order to visit Yamorido, a new craft beer brewery I'd heard about.  I sit safely at a table that is as much outdoors as in, taking a long break over lunch and a flight of beer.  Tokyo has just been added to the infamous Go To Travel campaign, and the street outside feels somewhat busy.  I haven't been out in public at all over the last eight months, and it reminds me of the old days of domestic tourism, with nary a language besides Japanese heard anywhere.

Following the narrow lanes out of town, I am nearly run down by a guy who has obviously not been looking out the windshield of his car, his eyes probably pointed down at his phone.  I give him a burst of Japanese of my own, all blunt verb endings mixed with some colorful English thrown in for good measure. 

I crest the hill that bisects the tombs of the Meiji Emperor and Russo-Japanese hero Nogi Maresuke, then descend into suburb again.  It is dull going for the next hour until arriving at Honkyo-ji.  The temple is of a modern construction, the oldest thing about it being the memorial stone to Mitsuhide beside the main hall.  The famed bamboo thicket behind has been severely shorn, cut back at least a hundred meters from the hall.  A broad earthen avenue remains, for the convenience of the machinery to harvest more in the future.  I see a handful of blue flags waving above a sparse patch of thicket down the hill.  This is Mitsuhide Yabu, the site were Akechi was speared to death, allegedly by bandits in Hideyoshi's employ.  It is truly hard to find much romance of the old here, with the dearth of forest and suburbs ringing all.  There are no bandits today either, but one old farmer working nearby directs me down a narrow path that drops me into the midst of the housing below.   

I walk more north than east now, angling toward a gap in the mountains to my right.  I remember that Daigo-ji's impressive Kami-Daigo temple hall is up there somewhere, and I feel happy that I'd visited before the 2008 fire that damaged a number of its structures.  For the next hour I move through a comparatively bland landscape of suburban sameness.  

My own fire of enthusiasm is beginning to die down.  I'd planned to walk all the way to Mitsuhide's Sakamoto Castle, the intended destination of his flight, but I'm fast losing interest.  I'm meant to veer east again soon, but I have an escape route in Yamashina station not far ahead.  On long walks such as these, I never look at how many kilometers I've done until I finish.  Otherwise, to realize you've done more than expected leads to a psychological fatigue.  But today I check the mileage, and am surprised that I've done 23 km already.  With 12 more to go.  I'd estimated the total walk at 27 kilometers, which I am prepared to do, but I'm not at all prepared to do 35.  Minutes later I'm sitting out front of the station, iced coffee in hand, killing time until the train.

 

It is at that same station that I detrain a week later, the chill in the air a far cry from the muggy heat that accompanied what's written above.  Cars pass too closely and too frequently as I walk the Tokaidō awhile.  Eventually I enter suburb again, accompanied by the feeling that I've seen all this before.  Beyond an expressway-shaded temple, a narrow trail leads me to Kozeki-koe, which I know I passed when doing a parallel journey in reverse 7 years ago.  And rereading that particular post I find the same sentiment I feel today: the highs of the quiet shaded neighborhood around Mii-dera; the annoyance at being denied views of Lake Biwa by the military base, the chain stores, and the towering apartment blocks that colonize the shoreline.  

Isn't until I'm Karasaki that I can truly enjoy the waterfront, beneath the trees that shade narrow patches of park. I get a surprise in the signs warning of vipers.  A trio of men fish from beneath an unusual torii with pitched cross-beams, and families enjoy the fading of light beside the gently lapping waters.  

Akechi is here too, standing bronzed and proud, looking in the direction where he lost his life.  This was all part of his castle, and I spend the next half-hour playing connect the dots with the historical markers that denote it perimeters.  Under the final fading light of the day, I find his grave (or perhaps one of many, as the bodies of warlords tend to be spread around a bit).  It is a nondescript site, just a small grassy mound tucked between houses, a resting place cramped for a man of vision vast.


On the turntable: Jacques Brel, "L'intégrale-- La boite à bonbons : 25ème anniversaire"     

 

Sunday, October 18, 2020

Sunday Papers: Sebastiao Salgado


"With each dying person a piece of everyone else dies."


On the turntable: The Groundhogs, "Hog's in Wolf's Clothing"

Wednesday, October 14, 2020

Sunday, October 11, 2020

Sunday Papers: Paul Salopek





"Why is impatience signaled by the tapping of a toe: a gesture that telegraphs walking away— hoofing it, laying tracks, leaving, shoving off lickety-split?  Why is movement the default solution of our species? What’s wrong with standing still? Why even ask such questions? Because we are restless. Because we always ask."


On the turntable: The McCrells, "The McCrells Live"

Wednesday, October 07, 2020

(untitled)



Drinking beer
Alone on the grass
Is the highest barometer of freedom


On the turntable:  Mount Eerie, "Live in Copenhagen"

Sunday, October 04, 2020

Sunday Papers: Fisher Unwin


"It's very hard to earn a living by writing.  Writing is a very good staff, but a very bad crutch."
       
       --(Quoted by W. Somerset Maugham in introduction to Liza of Lambeth)


On the turntable:  Miles Davis, "Milestones"

Thursday, October 01, 2020

The Moon in a Sake Cup



 




My piece on the autumn moon...


https://www.kansaiscene.com/2020/09/the-moon-in-a-sake-cup/


On the turntable:  Jimi Hendrix, "Blue Wild Angel"
  

Sunday, September 27, 2020

Sunday Papers: John M. Barry


"Emotion is not the absence of reason; emotion corrupts reason."


On the turntable:   Miles Davis, "Unreachable Station"

Wednesday, September 23, 2020

Further Down the Spiral


Twentieth Century terrorism was political, therefore, intellectual.  Twenty-first Century terrorism is predominantly religious, and therefore, anti-intellectual.  


On the turntable:  Miles Davis, "Portrait"

Sunday, September 20, 2020

Sunday Papers: William Wordsworth


“A mind forever Voyaging through strange seas of Thought, alone.”

On the turntable: Bee Gees, "Mythology"


Wednesday, September 16, 2020

The Journey to Mt. Koya



My piece on climbing a pair of pilgrimage paths up Koya-san:

 https://www.kansaiscene.com/2020/09/the-journey-to-koya-san/


On the turntable:  "Palermo Shooting OST"

Sunday, September 13, 2020

Sunday Papers: Christopher Rush


"[T]he most interesting people I'd ever met were those who had never travelled but had stayed in one place, and by coming to understand it had come to understand the universe; [...] this was because travel narrows the mind and is for those who constantly require external stimuli, lacking sufficient inner resources of their own. Travel, in a word, is for people who have nothing better to do."


On the turntable:  Miles Davis, "Bluing"
 

Wednesday, September 09, 2020

Semi concious


A cicada lays on its back, legs wriggling in the air.  There seem to be a lot of dead semi today. These little bodies are the symptoms of the mortality of summer.
 
One has affixed itself to my front door.  I'll leave it there for awhile, not only as a lesson in impermanence, but as a reminder of how to live life:  short, but screaming loudly to the fullest.


On the turntable:  Tenor Conclave,  "Four Tenor Saxes"

Sunday, September 06, 2020

Sunday Papers: Steve Dublanica

 

"Deep in my bones I’ve been reminded, over and over again, that I am a created thing –  that I didn’t will  myself into existence. In seminary, I was taught nothing, no person, planet, black hole or atom can explain why it exists in and of itself. Everything in the universe is contingent or depends on something else for being here and, if you wind back the clock and examine the great chain of causality, you’ll eventually arrive at a point where there must have been a first cause – that which created something out of nothing. Since that “prime mover” has no cause it must simply exist in and of itself – uncreated and beyond time – and makes everything that is real, well, real. That “something” is what every major religion, despite all their differences, calls God."

 
On the turntable:  The Misfits, "Box Set"

 

Wednesday, September 02, 2020

Hold Infinity in the Palm of your Hand


The universe is a construct invented to define the infinite. Man’s mind can’t grasp the idea that there is true infinity. It’s too intimidating.  It also reflects the whole Brahman Ishvara split in ancient vedantic philosophy.  

 On the turntable:  The Muggs, "The Muggs,"

Sunday, August 30, 2020

Sunday Papers: Jalāl ad-Dīn Muhammad Rūmī


"A little wind cleans the eyes."


On the turntable:  The Who, "Live at the Isle of Wight Festival 1970"

Wednesday, August 26, 2020

Over Naccho, Grande



Cheers to Wes for writing up our recent expedition up Mount Naccho.   

The link is here.


On the turntable:  Mogwai, "Kicking a Dead Pig"

Tuesday, August 25, 2020

Feet in the Clouds...


From the air, the landscape takes on very different characteristics than on the ground.  The walker orients himself to objects man-made, which strike an odd balance between the comfort of a familiar human scale, and a dehumanizing disregard for his presence.  But from a great height, one encounters a landscape that goes well beyond the chauvinism of time.  The grandeur below was formed over generations, over centuries, over aeons.  Man's presence in it is incidental.  I think of the great forest cover of Cambodia, of the dusty angles of India, of the battle-pocked cones and grids of Laos.  But nowhere on earth I believe has the grandeur of Siberia.  All is tabula rasa, the twisting rivers bringing life onto the slate.  Canyons are as grand as that of Arizona, the mountains are areoli that rise from the tie-dyed steppe.


On the turntable: Drive-By Truckers, "The Unraveling"


Sunday, August 23, 2020

Sunday Papers: Peter Fleming


"To read a propagandist, a man with vested intellectual interests, is as dull as dining with a vegetarian."


On the turntable: "Happy Songs for Happy People"

Tuesday, August 18, 2020

Stuff from an Old Notebook #18


SIVANANDA ASHRAM, KERALA INDIA, 2007

I've always found it difficult to write when immersed in something.  Meditation, martial arts, yoga, these practices require full participation.  One can only write from the role of observer, and in full immersion, this separation is impossible. (On the other hand, being a foreigner in Japan distances you, so it is easy to report and retain).  So the notes from my time in the ashram are haphazard and scattered: 

-Hearing the roar of lions at night and during savasana, coming from across the lake. 

-The sound of someone singing in the shower.   

-The dhobi drying laundry in the sun.  

-Sitting in lectures, the same as it was one thousand years ago.  

-The call of the Asian Koel, what I refer to as the Ali G bird: "For real, for real, for real."

-Sadhu taking photographs.

-Hindu devotional music blaring from the coconut forest, and from elsewhere, the call of a muezzin cuts through. 

-Om graffiti

-Feral dogs hardly recognizable as dogs 

-God as flower behind ear; smudge on forehead, ash symbolic of humility, draws power

-Man made god in his own image. 

-Why can't man answer the simple question, "Who am I?"

-Wizard of Oz as a sacred text.

-iPod Mothersbaugh techno in Singapore airport at 6 a.m.  Upgraded to Business class, and while in my broad seat, read that there are no distinctions between human.


On the turntable, "Meat Loaf, "Bat out of Hell"

Sunday, August 16, 2020

Sunday Papers: Alan Booth


"People speak of a Protestant Work Ethic, but there is a Protestant Walk Ethic too, and it is every bit as perverse."


 
On the turntable:  Miles Davis/John Coltrane, "Best of Miles Davis & John Coltrane 1955-1961"
 

Thursday, August 13, 2020

(untitled)


Sitting in the mountains,
Giving my life away
With every exhale.

***

Shidare-zakura laden with omikuji,
Sway in the the spring wind,
Like bridal trains.

***

Cold wind rattles the 
Bamboo like skeletons;
Whole sections twisted and fallen.


On the turntable:  Otis Span with Muddy Waters,"Live the Life"

Tuesday, August 11, 2020

Stuff from an Old Notebook #17


-Interesting that we engage the world as infants, strictly orally, and later, create the world through an another oral process, with words.  

-Hippies still haven’t figured out that you cannot stop war with folk music.  


-US feminists trying to combat men by acting like men themselves.  Non-American feminists utilize their femininity to develop a third possibly, a more holistic one.  


-Rereading The Inland Sea.  Richie brings the muse back to me, his every sentence perfect. 


-The 20th century did a number on the world.  The 21st seems insistent on finishing the job. 


-The house has a “Warning Police Dog" sign written in English but judging from the ferocious look of the dogs (there are two) and quite frankly from the man himself, I’d take a fair guess that he’s on the other side of the law.  


-On protest:  I don’t know why many protests begin in the autumn.  They inevitably wind up defeated by something far stronger than any government, winter.  Protest and politics are pursuits of the leisure class, and as such, are not sustainable as that class doesn’t have the fortitude.



On the turntable:  Magic Sam, "Chicago Folk Festival"

Sunday, August 09, 2020

Sunday Papers: Wade Davis


"The measure of wealth in a civilized nation is not the currency accumulated by the lucky few, but rather the strength and resonance of social relations and the bonds of reciprocity that connect all people in common purpose."

 
On the turntable:  Mahala Rai Banda, "Ghetto Blasters"

Thursday, August 06, 2020

(untitled)


I used to expect a lot of others--
Hoping for art,
Then for purity,
For truth.
Lately I'll settle for...

(unfinished)

On the turntable:  Mike Oldfield, "Tubular Bells III"

Sunday, August 02, 2020

Sunday Papers: Roger Deakin


"I keep uncovering more and more evidence for a Murphy's Law of publishing: that if a book is truly wonderful, it is certain to be out of print."
   --Notes From Walnut Tree Farm 


On the turntable:  Mile Davis, "Bag's Groove"

Thursday, July 30, 2020

Toying with Tanka


Below the waterfall
A still pool.
Flycatchers drinking

Breaking the reflection
Of a granite teapot lid.

***

Dumped ashes from fireplaces
I leave my footprint
In their softness

Legs of stone Fudō
Blackened by pilgrim's pyres.

***

Monolithic tomb--
Frost veiled trees 
In the blue haze of morning.

Percussive tapping of rain
Counts down the old year.

***

Winter twilight --
Barely nodding
Some snow drops.

Dried straw burns black
To spite its falling.


On the turntable:  Marillion, "Misplaced Childhood"

Tuesday, July 28, 2020

Stuff from an Old Notebook #16


Notes from a Zen film retreat at Upaya Zen Center, April 2010


MANUFACTURED LANDSCAPES

Narration comes in where a viewer might grow bored.  The everyday is intensified in a way that takes the eye a moment to adjust. The bows of ships resemble shells and molluscs. The eye first goes to large objects, then we note as figures enter, dwarfed against the ships, or strip mines, or warehouses.  It is like looking at a Chinese landscape painting.  And we too are dwarfed, dehumanized.  No one person is sure of the scale of the system that drives all this.  There is beauty in the shots of tires and freeways, the eye finding relief in the curves, after all the shots of sharp metallic edges.  

Li Po, Tu Fu, and a hundred other poets, whole histories, folklores, cultures gone.  They defined China, and the places that defined them are soon to be gone.

The rhythm of the hands of the old women in the factories.  There is memory in those hands.



On the turntable:  Charley Parker & Miles Davis, "Historical Session"

Sunday, July 26, 2020

Sunday Papers: Woody Allen


“God is silent. Now if only man would shut up.”

On the turntable:  Mops, "Rock'n'Roll"

Thursday, July 23, 2020

(untitled)


A problem with my recent writing is 
That I’m trying to hit a home run every time.  
They mostly wind up in the cheap seats.  
Why not try for the odd grounder, 
The sacrifice bunt?
I see the next pitch coming--
High and outside.



On the turntable:  Montrose, "At The Record Plant"

Tuesday, July 21, 2020

Stuff from an Old Notebook #15


Notes from a lecture on Shugendo given by Quentin Durning, May 2009


-Mountains themselves were historically kami.  The Yayoi period  (300BCE - 300CE) created an agricultural base from which shrines rose gradually.

-Mountain deities were (are) female.

-Water brings energy from the mountain; the water god flows to fed the paddies.

-Kofun burial mounds are themselves mountains.  "Going to the mountain" a euphemism on death.  

-From 6th century, one got power from the mountains, an exercise with Taoist roots. Japanese Buddhism in contrast is still, grounded.    

-With the coming of Buddhism to Japan, Shinto gods were combined with Bodhisattvas.

The Heian period saw the entry of mandalas that Kukai and Saicho introduced from China.  Mandalas themselves are mountains.  

-In early history, people went alone to caves, rivers, etc.


On the turntable:  Mark Knopfler and Chet Atkins, "Neck and Neck"


Sunday, July 19, 2020

Sunday Papers: Brady Fotheringham


"Tourism has opened up avenues of understanding which could yet save us from man's worst obduracies.  But in large numbers tourists have a depraving effect on those who serve them."  
      --On the Trail of Marco Polo: Along the Silk Road by Bicycle


On the turntable: Moby, "Last Night"
 

Thursday, July 16, 2020

(untitled)


Deep in the mountains,
A wetsuit
Hangs on a clothesline.

***

Rain swollen Kamogawa
Refreshes the faces
Of stone turtles

***

Looking Toward Ogasawara,
Past surfers on high Izu swells.
People dying out there.

***

Three punk hipsters
Stand in Triangle Park
Waiting for the light to change.  


On the turntable:  The Misfits,  "Collection 2"

Tuesday, July 14, 2020

Stuff from an Old Notebook #14


Notes from a lecture on Zen


-"Oz didn't give nothin' to the Zen man..."

-Anything is a koan if taken all the way.

-Koan was originally someone's doubt.  When resolved, awakening occurs.  

-Koan 'doubt' vs. Catholic 'doubt.'

-Shōkoku-ji owns Kinkaku-ji and Ginkaku-ji.

-"Without self, boredom is impossible."  - Jeff Shore


On the turntable:  Cannonbal Adderley, "Somethin' Else"



Thursday, July 09, 2020

(untitled)


On a train at dusk,
Ride through a snowy landscape;
various hues of grey and white.

***

Her lips redder than my wine,
And much more sweet.

***

Dry Farfalle;
Like butterflies 
In a child's collection.

***

At the ancient shrine,
Waiting in line to draw sacred water;
A beautiful girl texts on her cell.

***

Yellow flowers burst from hillsides
Like remnants of 
Ancient splashes of lava. 

  
On the turntable:  Micheal Hedges, "The Best of Micheal Hedges"

Tuesday, July 07, 2020

Stuff from an Old Notebook #13


 -Moving rocks around or raking the forest;  what in the west is Dante’s hell or Sisyphean toil is simply called shugyō (training) in Zen.

-A child playing in the snow will not realize he's cold or hungry or tired. Unless called home, he’ll play forever.  Adults use the intellect to feel discomfort.

-Goth Obasan: fishnets, leopard skin sleeveless T-shirt, shades, David Sylvain hair, safety pins

-Moody melodic music which serves as BGM for the film playing before our eyes

-Old Portuguese/Japanese dictionary has “shizen” as “spontaneously” or “without external agency”

-I hate flying as a rule, and those long trans-Pacific marathons fray my nerves for the duration.  That said, it was a very smooth crossing, uneventful except for the fact that I survived.

-A certain regatta look to an apartment block covered with drying clothes.  Unshakable optimism on such a lousy grey day.

-Had a good laugh on the way to Osaka.  And you need laughs if you have to go to Osaka. 

 -Mist on the rivers, mists between hills. A slow train loads up, ready to finish the day late, far off in Tokyo. In village after village, houses stand dark. Despite the beginnings of dusk, there’s not a light to be seen.  Where are all the people?
 
-On the way to her hometown of Hiroshima, I listen to my (ex-)wife’s accent get broader and thicker.



On the turntable:  John Lee Hooker and Miles Davis, "The Hot Spot"

Sunday, July 05, 2020

Sunday Papers: Jean-Luc Godard


"The United States imagines no other war besides a civil war.  In each war it is always fighting against itself and against those faults of its own that the enemy nation embodies.  It calls war a moral crisis. When it was English, it fought against the English; as soon as they became American,  Americans fought among themselves; as soon as it became sufficiently Germanized in its mores and culture, it tilted at the Germans."                           


On the turntable:  Stan Getz and Lionel Hampton,  "Jazz Roads"

Thursday, July 02, 2020

(untitled)


A cheating duck 
Sits on a  stone
Beneath the river.


On the turntable:  Voodoo Child, "Baby Monkey"