Wednesday, June 27, 2012

And this is for the tears that won't dry...


The word that would best describe this feeling would be haunted.  For this is the city of the dead, a city filled with ghosts.   I move warily along its streets simultaneously longing for, and dreading a glimpse of, someone I loved back when.   I've been sent up here to Tottori City for work related matters, and to my surprise I found that I've been booked into the hotel where we'd passed many nights hiding our courtship from her parents who'd disagree with my foreign blood.  Thankfully, I'm not in the room with the mythic bunk beds. 

As I walk beneath the covered streets, I'm joined by another ghost.  I try to figure out which was the street on which James lived, up until his sudden death of cancer just shy of age 30.  I'd often make the trip over from Yonago, simply for a night of drinks and laughs.  In one of this city's small bars he told me his tale of 'borrowing' a taxi that he found idling out front one night, joy riding around the corner and leaving it in the identical spot one street over.  I'll never forget the horror on his face when I reminded him that all of us foreigners had our fingerprints on record somewhere.  Another night, where we made drunken snow angels out front of a temple somewhere.   I remember feeing a little sad that he never got to see the films made from his beloved Tolkien books.  His death exactly a decade ago hit me hard.  I remember a ceremony held at his high school where we planted a eucalyptus tree in his memory.  I filled a film canister with earth there, with the hope of mixing it with the earth of his grave down in Sydney.  It was a gesture that I hoped to share with his parents.  But little did I know then that I'd bury my own son before the year was out.

I try to elude the ghosts with a coffee in a small jazz kissaten called New Orleans.  The owner doesn't have much to say other than that he is a jazz fan but isn't a musician himself.    He isn't too adept at the improvisation of conversation, and I smile at the thought that in his suit and bow tie he has all the bearing of a mortician.  I pay and move on.  The sidewalks run beneath cheap tin roofs that betray the heavy snowfall here.  The shop windows display goods that would entice no one but members of a heavily geriatric population base.  It is still very much the '70s here.  A computer shop on one street corner has a more recent touch, that of a sign announcing the arrival of the innovative Windows 95. 

The high street abuts the government offices, and not far away is the museum.  Beyond the taxidermied mammals and amphibians in formaldehyde is the folklore display, and here I am linger for quite awhile, pondering how this all defines the living present, how story is eternal.  These thoughts continue to reverberate as I move through the castle ruins and up the forest trail toward the top of Kyushozan.  Midway up I find a small shrine and in front of it are two men taking a smoke break.  Due to the day's rain, I hadn't expected anyone on the trail today.  I talk with them a while, finding comfort that they aren't so interested in my non-Japaneseness and prefer to have a real conversation.  One of them asks me quite directly if I find the people of this city to be reserved.  I laugh and say yes, thinking how the hotel wouldn't allow me to check in less than 20 minutes early.  I share with the men my feeling that people living in what were former castle towns are often less friendly, more wary of strangers who represent a break with routine.  By contrast, Yonago developed as a merchant town, and are by nature friendlier and more convivial.  

I leave the men to their cigarettes and made my way upward, wary of the steps made slippery with rain.  At the top I find a flat grassy plot where the keep once stood.  From here I enjoy a 360 degree view.  The sun has just come out for the first time today, and all begins to steam as the sodden ground begins to heat up.  Near the sea is the brown patch of Tottori Sand Dunes.  But my eyes are pulled to the Southwest.  Somewhere out in those mountains is where Ken fell and died.  I feel the tears well up, and those old crushing thoughts beginning again.  Often while alone I give them their rightful place and relinguish control, allowing grief to take me where it will.  I sit quietly awhile, my eyes looking from there to the west, to where he lived his short happy life.  Ken had been close by all morning, but now he is fully with me, where he will stay for the rest of the weekend.

I'm pulled from the dark by one of the smokers, who has now arrived up top.  He points down the hillside and says that people often find tiles from the castle down there.  It is seriously overgrown, so I say that there probably a lot of snakes in it.  I tell him I don't like snakes, and he quips, "Who does?"  I mention then the sign I saw near the start of the trail, warning of bears.  Are there bears here?  Of course not, he laughs.  But when I'm halfway down the mountain I'm startled from my concentration on slippery footholds to something large moving through the brush.  I notice a shade darker than the rest of the forest, but I can't make out anything distinct.  I'm bent at the waist, leaning toward whatever is there 20 meters away when a thought comes:  It could be three things, and two of them aren't good for my health.  With that, I move on, but unfortunately the trail passes directly below whatever it is, then turns sharply downhill.  I don't like the fact that I've got my back turned to the source of the noise.  Then the trail runs diagonally for awhile, and the thing is moving parallel to me now, just above.  It seems to be curious as to what I am as well.  I pick up the speed, but slip and fall on my back.  I'm laughing as I get up.  Why is Tottori trying to kill me?  Safe once again at the wide grassy ruins of the castle.  From the corner of the stone base of what had once been a watchtower, a group of school boys sings a serenade out over the city.

(Continued...)


On the turntable:  Tori Amos,  "The Beekeeper"
On the nighttable:  Nanao Sakaki, "Let's Eat Stars"

Monday, June 25, 2012

Ancient Capital


This weekend I began to re-read Robert Pirsig's "Lila" for the second time.  (Though I can't really use "re-read," as my first exposure was as a book on tape with which I passed the time on a long 36 hour ferry ride from Kyushu to Tokyo back in 1995.)  Any one who knows the book knows that it a treatise on categorization.

Thus it is that I find myself looking at my life, and the subtle shifts that are defining this return to Japan.  I find that Kyoto v2.0 is about history overriding aesthetics.  I feel that my 20s and 30s were about the latter, pursuing beauty as a means of getting at truth. I am tempted also to look at this as the intellect superseding the physical, which though reasonably close to history and aesthetics, is slightly off.   In a few weeks I turn 45, therefore placing me firmly in my own Middle Ages.  So it seems natural that to move away from the body as it slows down.  But in my case as an incredibly active person, it is more about a change in emphasis rather than a question of waning abilities.

Previously in Kyoto, I had been interested in hiking and walking as an aesthetic activity, of exploring the beauty in a place.  Now the history of this place is far more fascinating to me. I'm enthralled by the villages and culture which developed out of some ancient's choice to become part of this landscape.   These days I photograph explanatory signs far more than I do the scenery.  My work as a walking guide of course bears some responsibility, though the opposite may be equally true.  Also, my connection to my Kyoto community has taken on renewed importance, to be a part of what this place is at this point in history.   

In my current phase of yoga teaching, I am happier teaching workshops and teacher trainings than I am doing regular classes.  With the former, there is more room for an intellectual understanding of the mysteries and mechanics of the body, rather than simply putting the mechanism itself through its paces.  In my martial arts training, this too applies.  While younger, I was looking more to explore what my body could do, to affix it as firmly as possible to a relationship with the ever-revolving world around.  Later this summer, I intend to return to my Takenouchi training, though here my initial motivation in training had always been less for the opportunity to develop skills to keep me safe on the street, and more for the chance to connect with something whose roots go back nearly 500 years.

I would argue that Kyoto's patina has some miles on it, and even if this weren't true, Pirsig himself would be the first to mention that 'beauty' itself is subjective.  (Which will make more sense if you've read the book.)  Though it is obvious that history too can be viewed subjectively, written by the victors, as the oft-quoted cliche goes. Yet what is most intriguing to me about Kyoto is how it is continuing to develop, in ways that the tourist board itself hasn't a clue.  And at this time in my life there is no greater beauty than to be a living part of this history, to be present and engaged in its unfolding.       


On the turntable:  Duran Duran, "Rio"
On the nighttable:  Robert M. Pirsig, "Lila"



Sunday, June 24, 2012

Sunday Papers: Richard Louv


"The woods were my Ritalin.  Nature calmed me, focused me, yet excited my senses."


On the turntable:  Dali's Car, "The Waking Hour"


Friday, June 22, 2012

Elephant in the Room


Thrilled to get a piece published in elephant journal. Probably my biggest publication yet. 


On the turntable:  Sam Bush, "Ohio River Folk Festival"

Wednesday, June 20, 2012

Groups


Drifting into Umeda by train, bluegrass in my ears, the rhythm of the picking moving us forward.  The banjo player on this old classic, 'Lonesome John,' picks as if playing a bodhrán, and is thus the engine of the piece, navigating along a line that extends back to the old country.  And the train is thus propelled into Hankyu Station, above a shrine squat and angular against all that towering glass.  A block away is the Toaster building, with its thin squinty windows.  

Out on the city streets, I have a Ferris Bueller moment when The Smiths enter my ears.  "Good times for a change."  I'm not alone in finding refuge behind the music.  One girl is singing as she strolls up the street.  Here is another difference I've noted upon my return.  Two years ago, young women were criticized for putting on makeup on the train, the current generation's means of blurring the lines between public and private, lines that give definition to this particular culture.  These days, already dolled up like their favorite pop stars, they've taken to singing their songs in front of everyone, the "i" in iPod threatening the wa

I too feel a desire to perform, to whip my furled umbrella out like a sword, using some of my finest iaido moves to knock the cigarettes from the mouths of those smokers who walk past.  And the lines again undergo a further blurring, as iai (居合) means literally to, wherever you are, whatever you're doing, "fit in" to your surroundings. 


On the turntable:  Brendan Perry, "Eye of the Hunter"
On the nighttable:  "Forty Stories of Japan"

Sunday, June 17, 2012

Sunday Papers: Kenneth Rexroth


"All that we can do is to so act as individuals that we, within the tiny limits of our individual power, keep the moral issues alive and constantly before the eyes of those to whom the power of decision has been delegated."


On the turntable:  Toots and the Maytalls, "Toots Live"

Saturday, June 16, 2012

(untitled)


The mountains surprise me
With yet another shade of green. 
Plum rains of June.


On the turntable:  The Smiths, "The Smiths" 

Thursday, June 14, 2012

New South Wales?


Remember the old picante sauce commercial, the one where the cowboys find that their sauce is made in New Jersey?  

I bought a box of Old El Paso taco kit that is distributed to Japan from...

....Australia.

Get a rope.




Wednesday, June 13, 2012

Earache My Eye


I think the size of my earlobes are changing.  (Is this common with age?)  For a long time I've used those in-ear rubber earbuds, but lately, when I take the earbuds out, the rubber piece stays in the ear.

Last week as the subway pulled into Shijo Station, the cord snagged on a piece of clothing and again pulled the earbud out of my ear.  As I reached up to remove it, I found that the rubber bit had entered the ear canal completely.  I didn't want to miss my connecting train, so I walked up to a couple of workers manning the Hankyu wickets.  Asking them to help me remove it, they merely looked at me with horror, one of them going so far as to say,  "いやだ、いやだ!" a couple of times.  So I asked them for the pliers lying on the desk, after a few tries, pulled it out myself, careful not to get my elbow knocked by the steady flow of people walking behind me. 

Made the train, and didn't miss a note!


On the turntable:  Elysian Fields, "Queen of the Meadow"
On the nighttable:  Richard Louv, Last Child in the Woods"

Monday, June 11, 2012

Gambarō indeed


Every few days, I seem to remember an additional Nakasendo story.

My group and I had just finished a nice soba lunch in picturesque Narai.  They had the rest of the day off to wander about town, so I decided to see if I could find the ruins of the house of the former daimyo from this area.  I followed an overgrown trail up above the town's even roof line, wary of snakes which had repeatedly revealed that their hibernation was now over.  The trail ended at a single paved road running between vegetable fields.  (In the Kiso valley, there is little rice grown, due to the steep slopes such as the one I'd just climbed.)  I wandered around awhile, unable to find the ruins.  I called out to a farmer in one of the fields, who offered to walk with me.  His first question was asking me where I was from. 

"America, " I answered.

"Ah.  In the old days, we were taught that all Americans were barbarians or demons," he said, smiling.

"In America they said they same things about this country."  I looked at him closely and asked, "Excuse me Uncle, but how old are you?"

"Eighty."  

I nodded.  Too young to have been a soldier, but old enough to remember the hardship of those days.    

"War is absolute hell,"  he said.  "And things aren't so good now either, especially after last year.  I guess I'm pretty lucky since I'll die soon."

"But Uncle,  I have a ten month-old daughter at home.  We have to keep on building a good future for her."

 "That's true.  We have to carry on working hard for the kids."  



On the turntable:  Todd Rundgren, "Utopia"



Sunday, June 10, 2012

Sunday Papers: Brian Eno



"There are many futures and only one status quo. This is why conservatives mostly agree and radicals always argue." 


On the turntable:  Loose Fur, "Loose Fur"

 

Saturday, June 09, 2012

Con-text


About a decade or so ago I was walking through the San Francisco night.  I caught a glimpse of a figure standing alone in a dark doorway talking to himself.   Thinking it a homeless person,  a few steps on I realized it was someone talking on their cell phone.  Mental maps were redrawn, and soon this scene became ubiquitous.

Today, I saw a homeless person propped up beside a bridge, texting on a cellphone.  After a few more revolutions of my pedals, I noticed that he was merely passed out, hands clasped in his lap.

Now where did I leave that mental eraser?


On the turntable:  Roxy Music, "Heart still Beating'



Thursday, June 07, 2012

The Flame


My tale as told at "The Flame" spoken word event last week in Kyoto.  





On the turntable:  Jethro Tull, "M.U."


Monday, June 04, 2012

Overlooked Serpents


And before I leave the Nakasendo for the season, I need to mention the snakes.  My group and I were atop Torii Pass, at the beautiful and mysterious Ontake shrine up there.  As I always do, I fall under the spell of the statues that flank both sides of the shrine.  They are protective deities mostly, or tall stones marked with the name of the storm gods.  To me the most interesting statues are the ones on the west side of the structure: the one that looks Chinese, the one that looks Indian, and the one that is almost a Korean haniwa, which makes no sense as I can't imagine anyone from that kingdom to have wandered this far into the Kiso Valley. 

So as I was gazing into their faces and puzzling out their secrets, I hear a shriek from the shrine's far side, where the clients are.  I run over to find that the group had come upon a snake that was nearly two meters long.  As they were circling it to take photos, one woman had almost trod upon a companion snake of equal size.  Hence the shriek.  What was bizarre is how un-snakelike the snakes were acting.  They were obviously aware of the presence of a dozen humans, yet rather than scurry into the brush as a snake might normally do, they continued to stay close to the statues.  They never stopped moving, slithering in figure eights, and doubling back upon theirselves, yet they never ceased making contact with the stones.  It was as if the snakes too were here to protect the shrine.  And it worked, as we moved warily away, heading down the mountain and back to more human realms. 


On the turntable:  Jimmy Cliff, "The Harder they Come"


Sunday, June 03, 2012

Sunday Papers: Martin Luther King, Jr.


“Our lives begin to end the day we remain silent about something we care about. In the end, we will remember not the words of our enemies but the silence of our friends.”


On the turntable:  Roxy Music, "Viva!"


Saturday, June 02, 2012

Nakasendo, (Taylor, Cozy, DK)


On the first day of my third Nakasendo tour, I found myself with the classic "King of the Road" playing in my head.  As the train moved toward Hikone, I came up with a verse and posted it on Facebook.   Mr. Cozy posted his own adjoining verse, and DK came up with a coda.  I followed up, in a bizarre Facebook call-and-response jam session.  Below is an updated version.

My verse:

Shogun, a message he sent,
Social unrest, can not ferment.
Tie up the zori, I got to go,
Walk Nakasendo to Edo.
Ah, but all this constant up and back,
Means extra koku in the coffers I lack.
A Daimyo of means by no means,
Nakasendo.

Third carriage, express train
Destination...Hikone.
Old worn out backpack, hiking shoes,
A few SoyJoys, a can of Qoo.
Chain smoking old fogies all around,
Never fails to make me frown.
I'm a man of means by no means, 
Nakasendo.

Cozy's verse:

I know every combini in every town
All their o-nigiri, all of their beer,
Every yaki-tori stand, every ramen stall,
every manga kissa
and all night Dotour.

My verse: 
 
Taylor's gotta pay the rent,
Relocated, savings spent.
New babe, new car, new debts
I ain't got no real regrets
Ah, but, two weeks conjugatin' verbs
Rents an eight mat room out in the 'burbs
I'm a man of means by no means
Nakasendo.

Deep's coda:

Ted Taylor's told his ode
Of the old Nakasendo
Tours and weddings pay his bills
And he's got some yoga skills!
Ah but - the two years he was away,
We missed his silly dajare
King of gags! Glad to have him -
Back in Kyoto!



On the turntable:  Jody Miller, "Queen of the House"

Friday, June 01, 2012

Spring along the Nakasendo


For my job for Walk Japan,  I guide clients along the Nakasendo, walking 150 of her total 437 kilometers.  In two months, I walked the route 4 times, for a modest sum of 600 km.  In repeating the journey,  faces and places become familiar.  Most fascinating was walking away from winter and into spring, a newborn season tiptoeing forward incrementally.  I've never had the opportunity to do so, to dwell so completely in the coming of new life.   

What follows are varied scenes along the road, those not previously covered in haiku form. 


Old farm woman bent at the waist in the newly flooded paddy, staring down at a face reflected back from between young rice stalks.  The face changes, but they stay that same fresh color of green.  How many of these has she mothered over the years?

Outside Okute, an old man chips away at a block of ice resting in the back of his truck. 

An old woman makes her way down the steep stone walk of Magome, steady on three points of sandal and cane.

Nothing in the coffee shop but gaijin and dogs.

"...waves of wisteria like purple clouds, bright in the west."

All that flowing water, as the snows relinquish their hold on the higher peaks.

That bizarre spring typhoon seen from the safety of Iwaya Onsen.  From my window, I watch the white clouds roll down the street and then engulf us in hail and wind.  Later, I sit in the rotemburo on the roof,  the clouds above me dashing faster than smoke.  I sit here until the lightning chases me inside.  The next morning, I'm again in the bath, red cheeks stroked by the gentle caress of snow. 

The squat houses of Kaida Kogen, in stout sumo stances against the snow.

Late April, weaving along the sakura front, seeing the blossoms in their various incarnations as we dip and climb in altitude. From hesitant buds to mankai to fubuki and back again.   I see them for the last time up on Kaida Kogen, blossoming anachronistically with the carp banners, and snow-covered Ontake, beyond.

The quiet cluster of Jizo outside the village of Nishino.   Final resting place of pilgrims who took the ultimate journey.

The old ticket taker at Narai station, the way his hands seem to operate apart from him, going through motions honed by time and muscle memory.  I leave him to go sit in the park beside the old bridge, on a morning so quiet and beautiful that I nearly cry I'm so overcome by happiness.  

The ruler-straight fringe of the girls of Matsumoto.

The train out to Bessho Onsen is suddenly boarded by a conductor dressed in white and holding a harmonica.  He suddenly hands me a song sheet, and I find myself joining him and a couple dozen old-timers in some sentimental pre-war ballad.  We sing another before I lead my own charges off the train.  God I love Japan and its sudden bursts of the surreal.

A rubber cobra hangs beneath the eaves off a house, to frighten off any swallows so bold as to declare squatters rights. 

On the platform at Ueda, striking up in conversation a man dressed in European Alpine wear circa 1927.  Right down to the ice axe.  He is off to scale Mt. Asama, whose pate is still covered in snow.  A formidable task this, but he is a man who climbs the higher, deadlier peaks of the Himalaya every other year. 
 
Japan's tiny toy landscape as seen from the Shinkansen.

Seeing the SkyTree from way out in Omiya. 

Love the lilting chill guitar work of Ernest Ranglin, in this case as we cruise above Tokyo's city streets. 

Coming out of the dull brown of winter, the sakura following their ume sempai into greater degrees of color.  Then nature really broadens her palette, the hillscape exploding into an array of hues that sadly elude the use of any other adjective but 'Disneyesque.'  (Think rapeseed and iris.)  And the hillsides too filling out in that new green that rivals the almost self-conscious show that the maples will put on six months hence.  All this new growth erases the view of higher peaks that had been with me on earlier tours.  The foliage is back, man, and they won't let you forget it.

And the animals too make the scene.  They'd been scarce in March, but for a wild boar blending into the dull gray-brown of the forest.  By May, the mountains are alive with birdsong.  In the rice paddies, the frogs hold an all night rave. Various types of snake look to bust up the party, including a viper crossing a mountain road below Nenotoge.  On a solo walk, I scare up a deer at dawn above Sekigahara.  The white of its buttocks almost seductive as it flees up the hillside.  Around the nearby fish ponds, I'm warned of a bear that I won't see.  (At least until two weeks hence, but that'll be on Kyushōzan in Tottori.)  Dropping into Gunma, our party literally collides with a party of monkeys, their twenty or so doubling our own number. The males confidently patrol the perimeter.  The females turn to shield their babies with their bodies under the shade of trees.  Our simian cousins too may see us as a harbinger of spring, thinking, "Look out, the snows are gone and the Sapians are back." 



On the turntable:  Dinosaur Jr., "On the Farm"
On the nighttable:  Basho, "On the Narrow Road to the Far North"


Thursday, May 31, 2012

Kamogawa


The river got a haircut today.  The men in the blue trucks, with their matching overalls trimmed the banks of its winter coat. A family of Capybara rustle in the stubble.  (Dr. Dave assures me that they're Nutria, which sounds to me more like an artificial sweetener.) Their incongruous presence draws a handful of onlookers, including one old timer who shakes his head, as if disgusted by what he's seen his country become.  May's usual lack of rain means that the river is low.  Certain features are unfamiliar, like catching a woman without her make-up.  At the base of the waterfalls, the bed is decorated with Maori tattoos.  Further downriver, a group of school girls chase each other on a gravel island that usually isn't there.

Other sights, other figures are in their usual places.  There's the Man Facing Northeast, who stands perfectly still, looking out at Mt. Hiei.  Occasionally, he'll do some funky karate tai chi mojo with his hands.  Further up is that long-haired, bare-chested guy who works magic with a clear glossy orb, spinning it over his hands and arms and chest, as if it is operating by physics all its own.  And the talented middle-aged soprano sax player, blowing through his usual repertoire under Kuramaguchi Bridge.

And all the other supporting cast:  the college musicians, and the student athletes.  The moms in hats and toddlers in strollers.  The riverside book club.  The overdressed joggers.  Riders of expensive bicycles wearing pointy eyewear.  Middle aged men in tank tops, feeding off the sun.   Pensioners doing hurky jerky marionette exercises that look like murder on the joints.

And me.  Pushing the stroller beside the water, auditioning my daughter for the cast.


On the turntable:  The Stranglers, "Peaches"



Wednesday, May 30, 2012

Sky watches sky


Strange weather yesterday.  Most bizarrely, an unseasonable squall rolled in.  And again.  And yet again.  Sunny skies in between. 

During the height of the morning show, I sat with my ten month-old daughter in the engawa, screen open to the wet, and to the pyrotechnics.  We sat looking out, picking up on what nature had to teach.  At the subtle gradients of pressure.  At the calibration of distance.  At the variables in size, the raindrops leading Sora toward an understanding of big-Bigger-BIGGEST.  

And most important of all was the lesson in impermanence, as the sun rolled back on through, lightening a face radiant with her new knowledge.  


On the turntable:  Peter Murphy, "Dust"


Monday, May 28, 2012

(untitled)


Even another cup of coffee
Cannot steel me against
This morning's ugly sky.


On the turntable:  Traffic, "On the Road"

Sunday, May 27, 2012

Sunday Papers: Yoshida Kenko


"To sit alone in the lamplight with a book spread out before you, and to hold intimate converse with unseen generations - such a pleasure beyond compare."


On the turntable:  Stevie Ray Vaughan, "Bluebird Lounge"

Wednesday, May 23, 2012

Peel Slowly and See


In Karuizawa, there is a rock transcribed with a haiku by Basho:

"馬をさへながむる雪のあしたか"

Rendered most unpoetically in English as:

"In the morning the snow lies thick on the ground.
Not only people, but horses seem to be elegant."

So I took a stab:

"In the fresh snow of morning
Even the horses 
Have a certain elegance."


On the turntable:  Lynyrd Skynyd, "One More From the Road" 

Sunday, May 20, 2012

Sunday Papers: Akutagawa Ryonosuke


Life is an Olympic Games sponsored by a group of lunatics.

 On the turntable:  The Stranglers, "The Very Best of..." 

Friday, May 18, 2012

Nakasendo Waypoint #28


Swallows circling, circling,
Spinning halos  
Over Narai's twin rows.


On the turntable:  Dinosaur Jr., "Dinosaur"

Wednesday, May 16, 2012

Nakasendo Waypoint #27


Rat snakes seek warmth
At the stone feet
Of Ontake's protective deities.


On the turntable:  Green Day, "Dookie"


Tuesday, May 15, 2012

Nakasendo Waypoint #26


Snow melt and spring rain
Broaden the shoulders
Of Karasawa Falls.


On the turntable:  Ry Cooder, "Music by Ry Cooder"

Monday, May 14, 2012

Nakasendo Waypoint #25


In the darkened corners 
Of the inn at Shinchaya, 
Live the remnants of winter's chill.


On the turntable:  Dead Can Dance, "A Passage in Time"

Sunday, May 13, 2012

Sunday Papers: George Orwell


"Journalism is printing what someone else doesn't want printed: everything else is PR.”


On the turntable:  Bruce Springsteen, "The Rising"


Saturday, May 12, 2012

Nakasendo Waypoint #24


Even Ena's paper factory
Refuses to soil 
This perfect May sky.


On the turntable:   Santana, "Lotus"

 

Friday, May 11, 2012

Nakasendo Waypoint #23


"Reflections of Ozu"

In their clean white uniforms,
A group of schoolgirls
Comes singing past Hikone castle.


On the turntable:  Les Claypool, "Live Frogs, Set 1" 



Monday, May 07, 2012

Escape is so Simple


I'm sitting in the bath, pretty fagged out.  It had been a good but long day.  Some business took me up to Obama, along a pleasant drive over the hills and to the sea.  Beside her, I ate bento, thinking long about how I love the Sea of Japan, and how much I miss living those calm and quiet days in San-in.  I baptized my toes in her cold waters.  Then home, the Golden Week traffic thickening the closer I came to Kyoto, under clouds building into eventual squall.

But I'm still in the bath, still fagged out.  Before me, a single spigot extends from the wall.  The heat and steam from the bath have caused the metal to sweat, the condensation glistening in the dim light.  My eyes are fixed on that spigot.  And as I watch, I think how wonderful it would be if, were I to twist the handle, it would begin to flow with icy beer.  Flow into a frozen mug, capping what, with the sea lapping my toes, and the squall bursting open, is undoubtedly the first day of summer.

Or so I thought, until the next day, when the hail began to fall...


On the turntable:  "Shanti Project Collection" (Various)


Sunday, May 06, 2012

Sunday Papers: Guttersnipe Das


"I struggle to explain, when people ask, “Is it difficult to be a foreigner in Japan?”

Yes, it is difficult.  But it is nowhere near as difficult as it is to be Japanese in Japan."  
 
 
On the turntable:  Pink Floyd, "Live 1971"
On the nighttable:  Kayano Shigeru, "Our Land was a Forest"
 
 

Saturday, May 05, 2012

Connection


Chiropractors must love cell phones, they way people talk on them, necked cricked to one side.

 On the turntable:  Quantic Soul Orchestra, "Stampede" 

Wednesday, May 02, 2012

Doing good during Golden Week






From our mates at Deep Kyoto:
Event: Massive Bargain Sale / Gathering / Sing-a-long / Cookie Fest
Purpose: To raise lots of cash/awareness for IDRO Japan’s great work in the disaster-struck Tohoku region!
Dates & Times: Saturday May 5th – 11:00 – 21:00 /Sunday May 6th – 10:00 – 15:00
Location: Very close to Demachiyanagi Station at the 左京西部いきいき市民活動センター (Sakyou Nishibu Iki-iki Shimin Katsudou Center). Please note – it’s not the same location as last year!

Tuesday, May 01, 2012

Silver and Gold


Suburbs thicken the landscape toward Tokyo.  The Sky Tower beckons for the final leg into Tokyo. 

 The city in its usual Golden Week post-Apocalyptic mode -- the Yamanote with ample seating, the streets near empty.  Nothing moving at 6 am Sunday morning.  

Mindful of the undead, I cross the street and board the Shink, a silver bullet pointed towards home...


On the turntable:  George Winston, "All the Seasons of George Winston"

 

Monday, April 30, 2012

Nakasendo Waypoint #22


Synchronized swimmers
With bright green legs:
This year's rice.



On the turntable:  Ry Cooder,  "Music of Ry Cooder"

Sunday, April 29, 2012

Sunday Papers: Charles Bowden


"Now there is talk of walling off the river lest some Mexican come north and terrorize us with decent food."

--Bowden writing about the Rio Grande


On the turntable:  Tom Petty, "Pack Up the Plantation"
On the nighttable:  David Gordon, "The Serialist"


Saturday, April 28, 2012

Nakasendo Waypoint #21


All throughout Kiso Valley,
The persistent flow of water, 
A reminder of the passage of time.


On the turntable:  Ernest Ranglin:  "Gotcha"



Thursday, April 26, 2012

Nakasendo Waypoint #20


Bright blue butterfly,
A gentle fluttering kiss 
Off the windscreen.


On the turntable:  "Rise Robots Rise" 

 

Wednesday, April 25, 2012

Nakasendo Waypoint #19


Who would expect
This many blossoms
This late in Spring?


On the turntable:  Pat Metheny, "Travels"



Tuesday, April 24, 2012

Nakasendo Waypoint #18


After spring rains,
Magome trees 
Exhaling clouds.

On the turntable:  Moby, "Destroyed" 

Monday, April 23, 2012

Nakasendo Waypoint #17


Footfalls shuffle across Ena's petals;
Percussive compliment to Levon Helm
Singing soulfully in my head.


On the turntable:


Sunday, April 22, 2012

Sunday papers: Henry Miller


"Writing is like life itself, a voyage of discovery'


On the turntable:  Std Straw, "Think Too Hard'


Saturday, April 21, 2012

Nakasendo Waypoint #16


Noisy "Yawp!" of young frogs 
Reveals their return  
But not their whereouts.

On the turntable:  Dave Douglas, "The Infinite"



Tuesday, April 17, 2012

In Osaka today...


...my heart is still in greener spaces. As in the mountains, rows of pink flank the rivers, dot the hills. In Shin Osaka station, I'm stopped dead by the sight of a massive photo of a mountain ridgeline. This same photograph, in its incarnation as a newspaper cutout, used to hang over my desk in the 'Nog. I'm still struck by the shape of the mountainscape, my feet long to wander her flank. Yet her identity still remains a mystery.

Down in the streets, I'm still dwarfed, still humbled, but here it is by steel and glass. At a glance, I see branches and twigs piled atop themselves in an industrial garage. Two steps on, at a glance, I see that they are hoses and lengths of twisted metal.

Here the air is far less fresh. Sidewalk smokers continue to Speak Lark...



On the turntable: Grateful Dead, "Hundred Year Hall"
On the nighttable: Kaoru Nonomura, "Eat, Sleep, Sit"


Wednesday, April 11, 2012

Nakasendo Waypoint #15


Pointillist pink
Calls to a close,
This long, long winter.

On the turntable: "Thirtysomething" (OST)


Monday, April 09, 2012

Nakasendo Waypoint #14


With billowing columns
Of wind-swept snow,
Asama relives her eruption.


On the turntable: Stump, "A Fierce Pancake"


Saturday, April 07, 2012

Nakasendo Waypoint #13


Sunbeams strain through
Shioda Plain cirrus.
Flirtations of Spring.


On the turntable: Ry Cooder, "Music by Ry Cooder"


Friday, April 06, 2012

Nakasendo Waypoint #12


Pushing on
Through ever deepening snow,
As friends write of blossoms.

On the turntable: Oingo Boingo, "Boingo Alive"


Thursday, April 05, 2012

Nakasendo Waypoint #11


Hard blowing snow
Challenges our footing
Over Jizo Pass.



On the turntable: Oingo Boingo, "Only a Lad"


Wednesday, April 04, 2012

Nakasendo Waypoint #10


Violent storm
Washes us off the Nakasendo,
Into an Italian bistro.


On the turntable: Leonard Cohen, "Old Ideas"