Friday, October 31, 2025

Tracking the Unseen in the Old Capital


 
 
I am lucky to be working with an excellent editor at The Japan Times, but the usual spacial limitations of print often require a piece to be cut down.  Below is the original "director's cut" of my article from a year ago.  The print version can still be found here.
 
Japan has always been a place where the visible and the invisible
coexist.  In the Asian calendar, the middle of the seventh lunar month marks the time when the spirits of the ancestors return.  There always seem to be an abundance of dragonflies at that time, their flitting around suggesting to many the physical manifestation of the ghosts themselves. 


In Kyoto, dragonflies are particularly numerous, a reminder that although the ancient capital is renowned for its 12 centuries of noble dignity and cultural refinement, it was long the center of the Shogun and his warrior culture.   The 14th century Onin Ran was a decade of lawlessness and bloodshed, which ultimately spread to the rest of the country.  Four centuries later, Kyoto was the center of political intrigue and violence that accompanied the implosion of the samurai class, and the growing pains of this new nation now called Japan. 

Some of these spirits resonated more loudly than others.  Sugawara no Michizane was a scholar and politician in the mid-Heian period, before a conflict with the powerful Fujiwara clan got him banished to Kyushu in 901.  He died there two years later, of an allegorical broken heart.  Plague and drought quickly followed.  To appease his spirit, Sugawara was deified as Tenjin-sama, originally a god of sky and storms, before being repackaged into the more benevolent kami of scholarship.  The principle shrine dedicated to this kami is Kyoto’s Kitano Tenmangū, which oversees 12,000 smaller affiliate shrines nationwide, at which students can often be seen in prayer.  Kitano Tenmangū also hosts a lively flea market the 25th of every month. 

Not all spirits can be so easily appeased. Shaded in a quiet pass over Mount Ỏe, on Kyoto’s far western outskirts, is a shrine consecrated to one of Japan's top three malevolent yōkai spirits.  Legend has it that in life he was known as Shuten-dōji, leader of a clan of oni ogres who terrorized either this area or around the similarly-named Mount Ỏe to the northwest (though in reality they were probably simply bandits). A large number of women went missing in the old capital, and the famous onmyōdō geomancer Abe no Seimei identified Shuten-dōji as responsible. After being incapacitated by his beloved sake, the oni king’s subsequently decapitated head continued to snap at the five warriors sent by the Emperor to subdue him.  Not wanting to bring the head back into Kyoto, it was buried here in 995, beneath a small mound of gravel at the back of the shrine. The pass was then dubbed Kubizuka, long considered a very haunted place.

A far more bustling pass on Kyoto’s eastern edge hums with the near constant traffic of the old Tōkaidō post road, now paved and called Sanjō-dori.  Historically it was known as Awataguchi, one of the seven gates to the old city.  The execution grounds that once stood here displayed dispatched bodies as a warning to those traveling past, including the corpse of Akechi Mitsuhide, the assassin of Oda Nobunaga. (The aforementioned Kubizuka no doubt served a similar purpose, intimidating travelers on the San-in Kaidō.)  During the Edo period, executions were carried out here three times a year, a large number of them Christians, a practice officially banned in 1612. An estimated 15,000 people were executed before the grounds were abolished in the Meiji period.  However a dissection laboratory was established here in 1872, with autopsies performed on executed men in a building glassed-in on four sides. This practice ceased a year later, leaving the quiet patch of land a cursed site. 

Another set of execution grounds was Rokujo-gawara, on the site of a former 1184 battlefield beside the Kamogawa river.  The executions of political prisoners began long before that, mainly those on the losing side of history.  Ishida Mitsunari was brought here after being found hiding in cave upon his defeat at the Battle of Sekigahara in 1600, and those generals who maintained loyalty to Toyotomi Hideyoshi were brought here after that clan’s ultimate collapse at Osaka Castle fifteen years later.  Perhaps the grounds are more interesting geographically than historically, as a massive collection of graves stretches up the adjacent hillside.  Atop stands both Kiyomizu-dera Temple and its neighbor Jisshu Shrine, where women betrayed by lovers curse them by nailing straw dolls to trees at the hour of the Ox.  Bizarrely, the Kamogawa’s riverside walking path disappears for a few blocks as it passes the old execution grounds, and one wonders if those who once worked at the original Nintendo headquarters above (now the trendy Marufukuro Hotel), were subconsciously supernaturally inspired as they crafted their artistic playing cards, and the fantastic video game characters to come.    

I suppose it is little surprise that the area’s bloody history gave rise to the belief that the well at Rokudo Chinno-ji Temple is a passageway to the underworld.  The temple is named for the six paths of reincarnation in Buddhism, each path representing a different realm.  In the Heian period, it was said that Ono no Takamura climbed down the well at night to judge the souls of the newly dead. His near contemporary, Murasaki Shikibu, supposedly descended to hell from here, as atonement for writing her lustful book, The Tale of Genji.   

A more benign legend was born around the corner at Minatoya Yurei Kosodate-Ame Honpo, Japan’s oldest candy shop. For seven consecutive nights, a pale woman came to the shop to buy one mon’s worth of millet jelly. Not having that sum, the woman traded her haori jacket, which was later recognized by a neighbor as that belonging to his recently deceased daughter.  Digging up her grave, they found a crying baby feeding on the candy.  The baby was allegedly adopted at Rokudō-Chin’nōji Temple and became a monk. The visitor can try this same candy, unchanged since the shop opened in 1599.  

Kyoto’s most popular spooky sites are surely the blood stained ceilings of a handful of temples, notably, Genko-an, Hosen-in, Yogen-in, and Shoden-ji.  The Battle of Sekigahara in 1600 stands as the most influential battle in Japanese history.  A narrow pass threads through the mountains between Sekigahara and Kyoto, and whoever controlled the capital controlled the Emperor.  Tokugawa Ieyasu placed 1800 men at Fushimi Momoyama Castle in order to slow Ishida Mitsunari’s approach from the west, buying time to establish better positions on the battlefield.  This small contingent had no hope of defeating Mitsunari’s army of 40,000, but they stalled them enough, until the castle was set ablaze, trapping 380 defenders.  The men committed seppuku ritual suicide, with the surviving blood-stained floorboards placed into the ceilings of these temples, to honor and appease their spirits. Shoden-ji is particularly notable, as the garden, and its borrowed scenery of Mount Hiei, was a favorite of David Bowie during his long stay in Kyoto.        

Above all these apocryphal stories, a more recent Kyoto site is considered one of the most haunted places in Japan. The 444 meter-long Kiyotaki Tunnel above Arashiyama was built for the rail line in 1928, the scene of a number of worker fatalities and suicides due to harsh working conditions.  Nighttime drivers claim to have seen ghostly figures in their mirrors, or have had the ghost of a women jump onto the hood of their car.  Most often, the screams of this woman penetrate the dark of the surrounding forest. 

While the spirit days of August are now past, the popularity of Halloween in Japan presents an excellent opportunity to follow in the paths of the dragonflies.  But if put-off by the distaste of violent historic events, or the fear of the supernatural, one can find compromise in a visit to Toei Kyoto Studios, home of what they dub “the most terrifying Haunted House in history.”  


On the turntable:  Talking Heads, "Remain in Light"

 



Tuesday, October 14, 2025

Thursday, October 09, 2025

On the Great Eastern Road IX

  

Getting a jump start on the heat.  People on the way to work, popping into Mishima Taisha.  I wander the cool of the grounds, passing a man chanting not to the altar but to the waters of the pond. 

I stroll the high street, it too tidy and clean.  Mishima cares about itself, with its historical markers, ample green spaces, nice little lanes free from the bondage of power lines.  Not much of old history remains, but that could be a war casualty, as the city once hosted an artillery unit, and neighboring Numazu was bombed late in the war. 

A police car roars up to stop at a hotel I just passed.  Another cop comes running. At the train crossing is an overweight cop, not running.
 Something amiss, which I'll never discover.  

I know I am at the edge of the old post town when I see the joyato latern. There's a small strand of namiki here too, barely two meters high.  There's little on the landscape beyond to entertain me, so I put in the headphones and listen to a mix of Tom Waits cover tunes.  I discovered him just before moving to Japan, his Anthology being one of a mere ten cassettes I brought over.  His songs remind me of an old girlfriend, a refugee from the Kobe quake of 1995, and a rainy Sunday where we lay on the tatami and sang Tom's songs out into the darkened room. He also reminds me of Jordan, now dear departed, and memories of him, and lost others cause me to weep as I stroll on. No need to feel embarrassed for this, tears are 
liquid love.    

Things stay industrial awhile, then I enter Numazu.  I'd looked forward to seeing this, the former home of a good friend.  But the Tōkaidō keeps me away from the city's best face.  Instead I'm walking the strip mall look of her outskirts, before being dumped onto Route 163.  

Thus begins hell.  On the map, I thought I'd be on a quiet little suburban road, which it is, but one with the near constant hum of passing cars.  I'm forced to stay on the sidewalk, which breaks my stride with every dip of driveway and perpendicular lane. It is the worst of all worlds as there are no real shops or places to take a break. I will walk this hellish route for three full hours.     

In hindsight, I should have walked the parallel beach road instead, but worried I'd miss the history.  Yet my route has few traces.  There are the odd signs and markers, but nothing remains of what they once marked. 

Literally, the only real find of the day is Hakuin's birthplace, but it too is modern and concrete.  I look around for his grave, a half-hearted attempt because I want to get on with it. It remained unfound, though I do find the grave of his mother.  There are a few markers at Hara post town for old historical sites, but they stand before the usual dull suburban homes. There is not a single trace of anything on this road.


Have I mentioned the heat?   Thirty-seven degrees, and no shade for there are no trees.  Things leap out from my somnambulistic march. A greenhouse seemingly built solely for a ping-pong table.  An anti-aging salon, but even the sign is faded.  A closed izakaya, but the owner obviously lives up top, for I spy what must be his work apron dancing on the line.  It reminds me of the breeze and I feel cool for about four or five seconds. In one section stand a startling number of abandoned houses, one after another after another. Vegetation is starting to take hold again.

By some miracle I come across a cafe opening just on the stroke of 11.  A few other people have turned up as well, dressed in tidy clothes and waiting in tidy cars with the A/C on max.  A startling contrast, I pull off the reek of shoes and my forearms darken the handsome wooden counter before which I pour myself.  My ice coffee costs twice what it should, and is downed in half the time.  I wanted to rest longer in the cool, but my current condition soon has me ashamedly heading for the door.  

I have a second fish out of water experience at lunch.  I find a small eatery, yet when I enter I find it filled with rough workmen.  They take up both tables, but I'm invited to sit with the workers, who are welcoming.  As my buttocks is mere centimeters above a stool that looks more at home in an elementary school cafeteria, the guy across from me lights up a cigarette.  Like a marionette, I pop back up, saying a more polite equivalent of "Can't ya see I'm walking here? I'd rather not be around smoke."  I step back outside and walk a few meters, noting on the map that the next shop is a full hour onward, a ramen shop.  And it's not really ramen weather. 

I sheepishly reenter, to hear one of the workman say, "I knew it," under his breath.  And it's not really a day for okonomiyaki either, but that's all that this shop does.  The one I get is perhaps the worst I've ever had, basically an undercooked cabbage patty barely held together by batter.  The draft beer is a winner, and I feel a bit like Alan Booth when I order a second.  The workmen have left by now, but not after they've all had shaved ice.  I follow suit, my Blue Hawaii leaving me humming Elvis as I step back into the blazing sun.   

What else to report?  My busy road leading to an even busier road?  Relief in a final stretch along a quieter lane, but one devoid of any interest?  The clouds are coming over now, but bring little cool.  I pick up the pace in order to catch an earlier train, which will allow for a longer soak in the hotel bath before I meet friend and former Blockhead David for beer and lite bites at Baird Taproom back in Mishima.  Such is my reward for what was certainly the worst single day of walking I've ever had.  

 

On the turntable: Abbey Lincoln, "Abbey is Blue"  

 

Tuesday, October 07, 2025

On the Great Eastern Road VIII

 

 

Has it really been six years since I left off this walk in Hakone?  The weather is a far cry from what it had been on that December day, hot, the height of August, yet with a cooling breeze for which I am grateful. Even the earliest train wasn't going to get me up here till 11 and the bus that I'd needed was 15 minutes late, thanks to the usual unprepared cluelessness of foreign tourists when it comes to paying the fares. So it was that stepped out into the full heat of day.


There is a remarkable amount of ishitatami on this part of the Tōkaidō.  And it begins immediately out of town, up Kamaishi-zaka. Due to storms, the trail looks pretty beat up, many of the stones rolled out of place, and in certain depressions in the trail, the detritus has built up. Walkers have gone through, obvious from the fact that the tall grass of late summer has been pushed aside. But each cobweb I break with my face is an indicator that no one had been through recently.

I'll only have one true climb of the day. From the vantage point of town, Tōge-chaya looks pretty far up there. Before I know it I am up and over the pass, but coming down the other side will be the problem. I'd noted the day before that a section of trail was closed due to a landslide back in 2019. 
Photos on Google Maps seemed to suggest that you could make your way around the barricade, which is what I had initially intended to do.  But coming up on the bus, I saw the barricade on the lower side, and it looked pretty impenetrable. And the more I thought about it, the more I thought I'd stick with the detour route.  I know I've previously mentioned that I don't like to edit when it comes to historic road walks, but do I delude myself in thinking that this Tōkaidō has always been the exact same route as it is today, since its earliest origins? Contemporary weather systems are getting more intense, with more and more trails getting damaged, yet 
ancient weather too did happen. 
Not to mention political turmoil and other problems. Throughout history, all of these trail systems would have changed from time to time. It's been six years since the landslide and I'm not terribly optimistic that they're going to fix it after all this time. But I'd like to think it'll reopen again, and the easy access makes it easy to return to.  Perhaps if it were a few hours earlier, or the day five degrees cooler, I might jump the barricade and go for it.

The road walk keep me on the busy Route 1, which winds its way down toward Mishima. Luckily, the old route keeps me off it for the most part, but for this detour. 
It's almost a blessing that it's about 26 degrees up here, versus 31 down in the valley. And as I'm exposed walking the tarmac, I'm thankful for the layer of overcast and the wind that accompanies it.

Once past the blockage, I feel the familiar round of stonework under my feet, which continues for a full six kilometers, broken only when bisecting Route 1.  One of the good things about ishitatami is that due to the uneven footing of the path, walkers are forced focus on their walking and not on their phones.  The trees on both sides are majestic, the forest alive with sound at mid-summer.  Plentiful stone figures keep my company, as well as markers for old small temple halls that didn't survive the transition to the modern world.  The once grand Yamanaka Castle itself did not, and I plan to return another day to trace her sylvan contours.  

 

 

I pass the aerial labyrinth of Dragon Castle, the dizzying heights of the Sky Walk, but my own walk continues over earth and stone.  Stone becomes tarmac in a small hamlet, and the road descends at an insane angle down the steep hillside.  It would be impossible to drive this in the ice and snow, and I walk backward awhile, my shins unable to handle the strain of the pitch.  This slope has been given a name, as have many of the others, reminders that I've dropped over 800 meters since the pass of many hours back.  

Just outside Mishima, I encounter a large tow-truck casually propping up a tourist bus, the latter a victim of an engine fire, but later scanning the news I find nothing.  The entrance to town proper is marked by a large stone for the Hakone road, and suddenly the Tōkaidō joins Route 1.  I'm actually walking a surfaced trail just above it, the road below lined with namiki, extending a full five kilometers, the longest stretch I've ever seen.  The irony of course is that the Shogunate planted all these trees in order to provided shade and shelter for walkers, but here I am in full sun, the cars below getting all the benefit.  The walker has no place in modern Japan.  

Eventually I come to Mishima Taisha, and I leave the old road in order to angle toward my hotel.  Shirataki Park is a beautiful oasis, kids in full frolic in the waters of the pond, with gossiping mothers as lifeguards.  I find myself attracted to a certain type of city in Japan, one comfortable in its modest size.  An easy scale to protect the culture, the quirks.  I am immediately attracted to the tree-lined streets, the bookshop cafe, the variety of its small eateries, the certain absence of big chain shops.  Yes, here too I could make a life.

I chose my hotel for the hot baths on its top floor, sure remedy for achy legs and sore feet.  Here I soak awhile, as Fuji looms up for the first time all day.  Her cabaret act is a flirtatious baring of a single shoulder, and only for about five minutes.  A tease, but those climbing her today are surely getting some bad weather. Not me.  Here I soak.  

I backtrack a little to Slider House for its burgers and 24 taps.  I settle into a plush leather armchair that serve as bar stools.  One beer follows another, and another, as I find it hard to leave my comfy seat, and my book of letters by Hunter S. Thompson.  But tomorrow's walk eventually taps my shoulder, and I force heavy feet to lead me toward bed.       

 

On the turntable:  Tom Petty and the Heartbreakers, "Pack Up the Plantation: Live!"